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China's South-to-North Water Diversion middle route delivers over 80 billion cubic meters, benefiting nearly 118 million_我的网站

A |     Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride.     In This Article      BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES     BLACK WARRANT     BEST DIRECTOR, SERIES     VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT)     BEST SERIES (CRITICS')     PAATAL LOK SEASON 2     BEST DIRECTOR: SERIES (CRITICS')     ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK)     NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE)     BEST ACTOR, SERIES (MALE): DRAMA     JAIDEEP AHLAWAT (PAATAL LOK SEASON 2)     BEST ACTOR (MALE), SERIES, CRITICS': DRAMA     ZAHAN KAPOOR (BLACK WARRANT)     BEST ACTOR, SERIES (FEMALE): DRAMA     MONIKA PANWAR (KHAUF)     BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA     RASIKA DUGAL (SHEKHAR HOME)     BEST COMEDY (SERIES/SPECIALS)     RAAT JAWAAN HAI (SUMEET VYAS)     BEST ACTOR, SERIES (MALE): COMEDY     BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA)     BEST ACTOR, SERIES (FEMALE): COMEDY     ANANYA PANDAY (CALL ME BAE)     BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA     RAHUL BHAT (BLACK WARRANT)     BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA     TILLOTAMA SHOME (PAATAL LOK- SEASON 2)     BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY     VINAY PATHAK (GRAM CHIKITSALAY)     BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY     RENUKA SHAHANE (DUPAHIYA)     BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)     ANGRY YOUNG MEN (NAMRATA RAO)     BEST FILM, WEB ORIGINAL     GIRLS WILL BE GIRLS     BEST DIRECTOR, WEB ORIGINAL FILM     SHUCHI TALATI (GIRLS WILL BE GIRLS)     BEST WEB ORIGINAL FILM: CRITICS'     BOMAN IRANI (THE MEHTA BOYS)     BEST ACTOR, WEB ORIGINAL FILM (MALE)     ABHISHEK BANERJEE (STOLEN)     BEST ACTOR, WEB ORIGINAL FILM (FEMALE)     SANYA MALHOTRA (MRS)     BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM     VIKRANT MASSEY (SECTOR 36)     BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM     PREETI PANIGRAHI (GIRLS WILL BE GIRLS)     BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)     DEEPAK DOBRIYAL (SECTOR 36)     BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)     KANI KUSRUTI (GIRLS WILL BE GIRLS)     BEST STORY, SERIES     SMITA SINGH (KHAUF)     SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)     BEST ORIGINAL SCREENPLAY, SERIES     SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2)     BEST ADAPTED SCREENPLAY, SERIES     SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT)     BEST DIALOGUE, SERIES     ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK)     BEST CINEMATOGRAPHER, SERIES     PANKAJ KUMAR (KHAUF)     BEST PRODUCTION DESIGN, SERIES     PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT)     BEST EDITING, SERIES     TANYA CHHABRIA (KHAUF)     BEST COSTUME DESIGN, SERIES     AYESHA DASGUPTA (FREEDOM AT MIDNIGHT)     BEST BACKGROUND MUSIC, SERIES     ALOKANANDA DASGUPTA (KHAUF)     BEST VFX, SERIES     PHANTOM FX (KHAUF)     BEST SOUND DESIGN, SERIES     BIGYNA DAHAL (KHAUF)     BEST MUSIC ALBUM, SERIES     AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2)     BEST STORY (WEB ORIGINAL FILM)     KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN)     BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)     AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL)     BEST DIALOGUE (WEB ORIGINAL FILM)     VIJAY MAURYA (AGNI)     BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)     ISSHAAN GHOSH (STOLEN)     BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)     ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI)     BEST EDITING (WEB ORIGINAL FILM)     JAHAAN NOBLE (CTRL)     BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)     SNEHA KHANWALKAR (CTRL)     BEST SOUND DESIGN (WEB ORIGINAL FILM)     SUSMIT BOB NATH (STOLEN)     BEST MUSIC ALBUM (WEB ORIGINAL FILM)     JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI)     BEST DEBUT DIRECTOR, SERIES     PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS)     BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES     ANURAG THAKUR (BLACK WARRANT )     BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES     LISA MISHRA (CALL ME BAE)     BEST DEBUT DIRECTOR, WEB ORIGINAL FILM     KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36)     BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM     SHUBHAM VARDHAN (STOLEN)     BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM     ARRCHITA AGARWAL (DESPATCH)     BEST SHORT FILM (PEOPLE'S CHOICE)     DIVORCE DIRECTOR: RAAGHAV KANSAL     BEST ACTOR (FEMALE), SHORT FILM     FATIMA SANA SHAIKH FILM: AYESHA     BEST ACTOR (MALE), SHORT FILM     AYAN KHAN FILM: CHASHMA     BEST SHORT FILM (FICTION)     AYESHA DIRECTOR: NIHIT BHAVE     BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)     LANGUR DIRECTOR: HAIDER KHAN     BEST DIRECTOR, SHORT FILM     RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。    (ECNS) -- The first phase of the middle route of China's South-to-North Water Diversion Project had transferred more than 80 billion cubic meters of water to northern China as of Friday, directly benefiting nearly 118 million people, according to the Changjiang Water Resources Commission.     The water comes mainly from Danjiangkou Reservoir, where managers balance reservoir inflows, local demand in the Hanjiang River basin, northbound supplies, and downstream ecological needs.        This summer, after forecasts pointed to below-normal rainfall, authorities adjusted reservoir operations to retain about 1.5 billion cubic meters more water as a buffer against possible drought.    Technology is playing a growing role in monitoring water quality.    An AI-powered floating platform works alongside satellites, drones, and ground monitoring stations, feeding data into a digital twin of Danjiangkou Reservoir that tracks water quality, simulates flood scenarios, and supports emergency planning.    At Danjiangkou Reservoir, the core water source for the middle route, an autonomous vessel collects samples from different depths to monitor algae.    Using AI-powered microscopy, the floating station identifies microorganisms quickly and tracks algal activity, giving early warning of blooms.    The vessel is part of an integrated satellite, aerial, surface, and structural monitoring network that combines remote sensing, drones, ground-based stations, and sensors embedded in the dam.    By fusing multi-source data in real time, the system has shifted water monitoring "from isolated points to full-area coverage," said Cui Dongdong, deputy director of the technology development department at a company under the Yangtze River Water Resources Commission of the Ministry of Water Resources.    With the digital platform, a regulation plan that once took days to produce can now be generated in seconds.    The platform runs more than 15 professional models covering flood routing, pollutant dispersion, and dam structure simulation.    The 1,432-kilometer middle route canal carries water across the Yangtze, Huai, Yellow, and Hai river basins before it reaches households in the north.    Water quality has also improved, and the nationally protected "crystal jellyfish," known as the "giant panda of the water," is now sighted frequently in the reservoir, an indicator of excellent conditions.     (By Helen Mo, intern Yang Hongran)                    。

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